What to Listen for in Music Doc ñ¾ Aaron copland

Ebook ↠ What to Listen for in Music Ý Aaron Copland

Ebook ↠ What to Listen for in Music Ý Aaron Copland It If you can In this Listen for PDF fascinating analysis of how to listen to music intelligently Aaron Copland raises two basic uestions Are you hearing everything that is going on Are you really being sensitive to it If you cannot answer yes to both uestions you ow

Text What to Listen for in Music

❰Reading❯ ➽ What to Listen for in Music Author Aaron Copland – Srl-ltd.co.uk In this fascinating analysis of how to listen to music intelligently Aaron Copland raises two basic uestions Are you hearing everything that is going on Are you really being sensitive to it If you can Reading What to Listen for in Music Author Aaron Copland Srl ltdcouk In this fascinating analysis of how to listen to music intelligently Aaron Copland raises two basic uestions Are you hearing everything that is going on Are you really being sensitive to

What to Listen for in Music Doc ñ¾ Aaron copland Aaron Copland Listen for PDF É was born on November in New York City His musical works ranged from ballet and orchestral music to choral music and movie scores For the better part of four decades Aaron Copland was considered the premier American composerCopland learned to play piano from an older sister By the time he What to PDF/EPUB ² was fifteen he had decided to become a composer His first tentative steps included.

Aaron Copland Ý What to Listen for in Music Kindle

What to Listen for in MusicE it to yourself to read this book Whether you listen to Mozart What to PDFEPUB ² or Duke Ellington Aaron Copland's provocative suggestions for listening to music from his point of view will bring you a deeper appreciation of the most rewarding of all art forms

10 Comments on "What to Listen for in Music Doc ñ¾ Aaron copland"

  • Jana Light

    What to Listen for in Music Doc ñ¾ Aaron copland What to Listen for in MusicThis is a fantastic book for the layperson who wants to become a intelligent listener and who wants to understand of what is going on in classical music note all classical music not just the Classical period Copland begins with an explanation of what music is and how it functions moves to instruments then to forms adds an apologist chapter for contemporary music and finishes with a chapter of what it means to be a good listener and the very significant role listeners play in the participation of the music creation As a book for the layperson I think it's wonderful It's smart detailed comprehensive and Copland punctua


  • Michelle Curie

    What to Listen for in Music Doc ñ¾ Aaron copland What to Listen for in Music We expect a fine composition brilliantly performed but how often do we think that it should also be brilliantly heard Music is notoriously difficult to write about and classical music particularly is notoriously difficult to listen to Aaron Copland an important composer and conductor of the 20th century himself makes you disagree with both This is the perfect book for people who want to enhance their own listening experience and broaden their understanding of what it really means to listen to music This is written for laypeople with a curiosity for classical music making this easily accessible and enlightening Listening to music is a skill that is acuired through experience and learning Knowledge enhances enjoyment Copland begins by explaining the importance of the listener and also notes how we need to give ourselves credit – people without musical education tend to say that they can't form an opinion about a musical piece yet we don't think that way in o


  • David

    What to Listen for in Music Doc ñ¾ Aaron copland What to Listen for in MusicAaron Copland 1900 1990 stands as one of the giants of American composers Charged by his French music teacher to produce an authentic American style of music he would compose classics such as Appalachian Spring Billy the Kid and Rodeo Copland also would conduct teach and write over the course of his prodigious careerBased on a series of lectures and first published in 1939 What to Listen for in Music remains in print Along with his compositions which are still being performed this book stands as a testament of Copland’s lasting influence on American musicIt is Copland’s “prime consideration” that makes What to Listen for in Music as accessible today


  • Jee Koh

    What to Listen for in Music Doc ñ¾ Aaron copland What to Listen for in MusicA basic and helpful introduction to music for someone like me ie no music training beyond playing the pianica in primary school and strumming the guitar round campfires in high school In this book first written in the 1930s Copland distinguishes between listening on a sensuous plane mere enjoyment of the uality of sound and on expressive and sheerly musical planes While not slighting the first he contends that a better understanding o


  • Quiver

    What to Listen for in Music Doc ñ¾ Aaron copland What to Listen for in MusicIf you do not have any musical training but are a fan of the aural arts you might be tempted by a book which promises to show you what you're missing out on Copland's is a good starting point He identifies three planes of listening the sensuous which is practised by anyone who enjoys music by getting lost in it the expressive which is practised by anyone who tries to understand the mood the message the idea behind the music and finally the musical plane for which you need a degree of technical knowledgeThe sensuous plane cannot be taught the expressive can be developed but Copland focuses on the last of the three teaching in fairly basic terms


  • Kristin Shafel

    What to Listen for in Music Doc ñ¾ Aaron copland What to Listen for in Music255 stars Full disclosure I am a professionally trained musician bachelor and master's degrees in composition double bassist for than fifteen years so I realize this book isn't really intended for a person like me But from a historical standpoint I do appreciate this set of lessons Through most of it it was a nice little refresher for me Everything is educational from a technical standpoint and it was interesting to read a composition giant's musings however opinionated and dated can't say I agree with Copland that the double bass isn't used as a solo instrument and he is very vocal about which composers he thinks are best in various eras and styles I think Copland articulated very well the act of listening to music on different planes sensuous for pure pleasure expressive composer's meaning and sheerly musical acousticstructural elements I enjoyed his chapter on the craft of composing


  • Tara Brabazon

    What to Listen for in Music Doc ñ¾ Aaron copland What to Listen for in MusicThis book is cut up by a damaging assumption classical music is difficult Popular music is easy Therefore elitism reduces the usefulness of this bookThe best components of the book probe the four essential elements to music rhythm melody harmony and tone colour Besides that it is not worth reading


  • Carol

    What to Listen for in Music Doc ñ¾ Aaron copland What to Listen for in MusicI found this book very interesting and thought it said about its author than its subject at least for me Copland provides explanations of and thoughts on all the main elements of and aspects of music melody rhythm harmony and formal structure plus some additional special topics like opera film music and contemporary music Copland's aim is to help the non musician become a better sophisticated listener so none of the information was news to me However I often found his take on it interesting and occasionally illuminating The only downside was that Copland is very much a man of the mid twentieth century he adheres strongly to a very evolutionary view of music is often a little ethnocentric and uses language such that you would think the only time women are professionally involved with music is when someone needs a sopran


  • Genni

    What to Listen for in Music Doc ñ¾ Aaron copland What to Listen for in MusicA wonderful explanation of the basic principles of classical music not an easy task He also does an admirable job of attempting to put in words some of the mysterious elements of music Although I have a degree in music I still learned a few things and benefitted from those things that were review What I enjoyed the most about this book indeed the reason I read it was listening to Aaron Copland talk about music You can often learn a bit about a composer's personality by listening to his wo


  • Martin Read

    What to Listen for in Music Doc ñ¾ Aaron copland What to Listen for in MusicI enjoyed reading it I felt that it improved my understanding of classical form considerably although my lack of musical knowledge made some chapters difficult I have been reading it in conjunction with Bernstein and a variety of Youtube clips I think it's a book I shall return to on occasion to deepen my understanding I've already gained immensely in the area of early 20th century wor